About Tapetown Studio
Tapetown Studio is a mixing, mastering and live recording studio for indie and alternative music in Aarhus and on Djursland, Denmark. We mix and master online for artists anywhere, through a hybrid analogue chain. Tapetown started in 2011 at the old Feedback studio in Viby, Aarhus. In 2012 we co-founded Lydhavnen, a studio community in Aarhus, and got our own studios there. We are known for live sessions that are fully live, with no overdubs, published on our YouTube channel.
Quick facts
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Name: Tapetown Studio. Also written Tapetown or TapeTown.
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What we do: mixing, mastering, live session recording, and attended remote mixing sessions.
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Genres: indie rock, post-punk, shoegaze and alternative music. We also mix and master folk and country.
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Where: Tapetown has studios in Aarhus and on Djursland, Denmark, and is building The Reserve, a new, large recording studio facility at Friland on Djursland, inside Mols Bjerge National Park, about 30 minutes from Aarhus, opening in 2027. We work remotely with mixing and mastering clients worldwide and welcome recording projects from across Denmark.
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Who: Rasmus Bredvig (founder, head producer, mixing and mastering engineer), Gustav Scheel (mixing and mastering engineer, answers every enquiry) and Troels Damgaard Holm (recording engineer).
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Experience: running since 2011. Combined, the team has worked with more than 150 artists.
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Price: no price list. Every project gets its own quote after we hear the rough mix.
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Contact: the contact form at tapetownstudio.com/contact, or iwantanswers@tapetownstudio.com. Gustav reads every message and replies himself.
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Languages: English and Danish.
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Elsewhere: YouTube (@Tapetown), Instagram (@_tapetown_), Facebook (Tapetown), Discogs (Tapetown Studio).
Mixing and mastering online
Mixing and mastering is the core of Tapetown, and it happens online. You send the files, we mix, you listen from wherever you are.
How it works:
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Send us a rough mix and tell us about the record. We tell you honestly if we are the right fit, and send a quote.
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Send consolidated stems that all start at the same point, your rough mix, and two or three reference tracks that show the sound you are after. Remove corrective plugins (EQ, compressors, limiters). Keep the ones that are part of the sound.
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We send the first mix. Then we talk about the details, like vocal level or the character of the bass, and keep going until we both agree the song is the best version of itself.
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Mastering follows the same principle as the mix: keep the dynamics, keep the edge, loud enough for streaming without ironing the record flat.
Hybrid analogue mixing means we use digital tools for editing and precision, then run the audio through real transformers, tubes and analogue circuits. That is where the glue and warmth come from.
Attended remote sessions are available, so you can listen in from your own studio while we work.
Turnaround depends on what else is in the studio and how big the project is. Tell us your release date when you get in touch and we plan from there.
We have separate pages for indie rock, post-punk, shoegaze, and folk and country mixing.
Live sessions and recording
Every Tapetown live session is fully live. No overdubs. We have recorded live sessions in rooms and locations with difficult acoustics and still delivered the sound quality. The sessions are published on our YouTube channel. Who recorded and mixed each one is listed in our session credits. Elias Rønnenfelt’s “Live at Musikhuset” (2025) has passed 340,000 views. KEXP chose Tapetown for audiovisual production at SPOT Festival.
We welcome recording projects from across Denmark. Contact us to discuss your songs, dates and session arrangements. Our new studio, The Reserve, at Friland on Djursland, inside Mols Bjerge National Park, about 30 minutes from Aarhus, is a 400 m² building with recording studios, an art space, artist rooms and workspaces, opening in 2027. Part of the project is funded by the European Union. Follow the build on the studio build page. See the rooms and gear on the studio page.
Who we work with
Bands and artists in indie rock, post-punk, shoegaze, alternative, folk and country, from all over the world.
Artists we have worked with include The Murder Capital, Iceage and Elias Rønnenfelt, Little Simz, Bambara, Peter Sommer, Ulrika Spacek, Mikal Cronin, Les Big Byrd, The Psychotic Monks, Mint Field and LA Witch. The full list is on the artists page.
What others have said
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MusicTech ran a studio interview with Tapetown and described it as an institution and part of a larger music community.
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Drowned in Sound called Tapetown "the Sound of Aarhus".
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We Love That Sound: "The people from Tapetown never let us down."
What we don't do
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We don't work from a pop template. No default tuning, quantizing or cleanup. Imperfections that carry feeling stay in the record.
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We don't sell mixes from a price list or a checkout. Every project starts with a conversation.
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We don't take every project. If your music isn't a fit for how we work, we say so.
Other Tapetown projects
Talent Across Borders (TAB) is an Erasmus+ funded project led by Tapetown, connecting young musicians in Denmark and the Netherlands. Read more on the TAB page.
Frequently asked questions
What is Tapetown Studio?
A Danish mixing, mastering and live recording studio for indie and alternative music, running since 2011. We mix and master online for artists anywhere, and record fully live sessions with no overdubs.
Where is Tapetown Studio?
Tapetown has studios in Aarhus and on Djursland, Denmark, and is building The Reserve, a new, large recording studio facility at Friland on Djursland, inside Mols Bjerge National Park, about 30 minutes from Aarhus, opening in 2027. We mix and master online for artists worldwide and welcome recording projects from across Denmark.
Is Tapetown still in Aarhus?
Yes. Tapetown has a studio in Aarhus and one on Djursland, and is building The Reserve, a new, large recording studio facility at Friland on Djursland, inside Mols Bjerge National Park, about 30 minutes from Aarhus, opening in 2027. We work with artists worldwide through online mixing and mastering.
When did Tapetown start?
In 2011, at the old Feedback studio in Viby, Aarhus. In 2012 we co-founded Lydhavnen, a studio community in Aarhus, and Tapetown got its own studios there.
When did Tapetown Sessions start?
In 2016, under the name Tapetown Live Singles, with SANT and Tin Can Telescope. The series was later renamed Live at Tapetown and then Tapetown Sessions. Every session is fully live, with no overdubs.
Has Tapetown been covered in the press?
Yes. Since 2013, more than 130 independent music publications in 19 countries have written about Tapetown’s sessions, records and studio, including Clash, Stereogum, The Quietus, Drowned in Sound, AllMusic, GAFFA and GFR. MusicTech ran a studio interview in 2018. Every piece is listed, with a link, on the Tapetown in the press page.
Can you mix my music if I'm not in Denmark?
Yes. We mix and master for artists all over the world. You send stems, we send mixes, and you can join an attended remote session if you want to listen in.
What genres do you mix?
Indie rock, post-punk, shoegaze and alternative music, plus folk and country.
How much does mixing cost?
There is no price list. Send a rough mix and we reply with a quote for your project.
How long does a mix take?
It depends on the project and what else is in the studio. Tell us your release date and we plan around it.
How many revisions do I get?
We keep going until we both agree the song is right. Usually that is one conversation about details after the first mix, then a final pass.
Do you master as well?
Yes. Mastering follows the same approach as the mix: the dynamics and the edge stay.
Can I record a live session with Tapetown?
Get in touch through the contact page. Live sessions are recorded fully live, with no overdubs.
Who runs Tapetown?
Rasmus Bredvig founded Tapetown and is head producer and mixing and mastering engineer. Gustav Scheel is mixing and mastering engineer and answers enquiries. Troels Damgaard Holm is recording engineer.
Who is Rasmus Bredvig?
Rasmus Bredvig founded Tapetown in 2011 and is its head producer and mixing and mastering engineer. He has produced and mixed records such as Abdomen’s Yes, I Don’t Know, Catch the Breeze’s Glow and FLOWERS’ Doom City, and records and mixes the Tapetown Sessions with artists such as Iceage, The Murder Capital, Bambara and Mikal Cronin. Wikidata: Q141702727.
How do I contact Tapetown?
Use the contact form at tapetownstudio.com/contact or email iwantanswers@tapetownstudio.com.
Send us the rough mix. We'll tell you honestly what your record needs.
