Online Mixing & Mastering
Online mixing and mastering for indie, post-punk, shoegaze and alternative artists worldwide. Send us your recordings and a rough mix; we’ll discuss the sound and give you a personal quote. From our studios in Aarhus and on Djursland, Denmark, we work remotely with artists everywhere.
We mix and master for artists across Scandinavia, Europe, the UK, the US, Canada and Australia, remotely, with attended sessions across time zones.
Rasmus Bredvig has mixed Tapetown Sessions for artists from the US (Mikal Cronin, Bambara, Moaning, The Fresh & Onlys), the UK and Ireland (Ulrika Spacek, The Murder Capital) and Sweden (Pale Honey, Les Big Byrd). Our sessions and records have been covered by more than 120 independent music publications in 19 countries since 2013, including Stereogum, Clash and The Quietus: Tapetown in the press.
The Engineers
Rasmus Bredvig and Gustav Scheel both mix indie and alternative music. Gustav brings a smooth, spacious finish; Rasmus leans into raw energy and bite. We match each project to its sound, and collaborate on selected mixes when it calls for both approaches. Our shared work includes Tapetown live sessions with shinyhunt and deathcrash. See our session credits.
Rasmus Bredvig, Tapetown’s founder, mixes indie, alternative, punk rock and post-punk with raw energy and bite. His approach keeps the grit and movement of a performance intact while giving the mix focus and impact. His recording and mixing credits include Catch The Breeze’s Glow and FLOWERS’ Doom City. He leads Tapetown’s live-session mixing, including sessions with Iceage, The Murder Capital and Bambara.
Gustav Scheel mixes indie, alternative, folk, Americana and indie pop with a smooth, spacious and refined sound. A trained recording engineer, he shapes the balance, depth and dynamics around the song, keeping vocals, instruments and the character of the performance at the centre of the mix.
WHAT PEOPLE SAY
“Rasmus Bredvig, owner and head producer of Denmark’s Tapetown Studio, is someone who’s passion for alternative styles has led to the studio becoming an institution and part of a larger music community”
Drowned in Sound
Named “the Sound of Aarhus” by Drowned in Sound, Tapetown Studio run is one of the fastest growing European communities for alternative music and culture
We love that sound
“The guys from Tapetown never let us down. With each new recording at Tapetown their cult status increases.”
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Mixing FAQ for Artists
Is my home recording good enough for professional mixing? Definitely. A huge portion of the records you hear today started in bedrooms and rehearsal spaces. Our job at Tapetown isn't to judge the room you recorded in; it is to take those performances and give them the weight and "finish" they deserve. Our hybrid analogue setup is specifically designed to add the depth and physical texture that home-recorded tracks sometimes lack.
What exactly is "Analogue Hybrid Mixing" and why should I care? In short, it means we use the best of both worlds. We use the precision of digital software for the heavy lifting and editing, but we run your audio out of the computer and through physical hardware—real transformers, tubes, and circuits. This adds a natural "glue" and warmth to the sound that software can't quite replicate. It makes the music feel like it is moving through air, not just living in a computer.
How do we handle the timeline and delivery? Every project at Tapetown is handled with individual care, so we don't use a "one-size-fits-all" turnaround time. Our schedule fluctuates based on current studio sessions and the complexity of the projects in house. When you reach out, please let us know if you have a specific release date or deadline in mind. We always do our best to accommodate your schedule and will give you a clear delivery window once we have evaluated your tracks.
Do I need to remove my plugins before I send you the files? If a plugin is part of your "sound"—like a specific distorted delay or a lo-fi filter you love—keep it. That is part of your artistic vision. However, please remove any "corrective" plugins like basic EQs, compressors, or limiters that you’ve put on just to make it louder. We want to work with the rawest, highest-quality version of your vision so our hardware can do its work effectively.
Can I attend the mixing session in person? Our mix studio is in Aarhus, Denmark. Attended mixing depends on the studio schedule, so let us know early if you would like to join in person. We’ll discuss dates and practical arrangements directly. You can also join a session remotely from anywhere in the world.
How many songs can you mix at once? Whether it is a single, an EP, or a full-length album, we approach every project with the same level of focus. For larger projects, we actually prefer to mix them in "blocks." This ensures that the sonic identity remains consistent across the whole record. If you are planning an album, let us know early so we can carve out the right amount of time in the studio calendar.
What if I’m not in Denmark? How does remote mixing work? Distance isn't a barrier. We have mixed tracks for artists all over Europe and the whole world. We use high-quality file sharing for the stems, and we can even set up "attended" remote sessions where you can hear the mix in high-definition from your own studio. It is a collaborative process - we are always just an email or a call away.
How many revisions do I get? The amount differs depending on the circumstances and price. We want you to be 100% happy with the result. Usually, after the first mix is sent, we have a chat about the small details—maybe the vocal needs to be a hair louder in the chorus, or the bass needs a bit more grit. We tweak it until we're both satisfied the song is the best version of itself it can possibly be.
Can you make my digital recording sound like it was recorded to tape? Yes, we definitely can. While we can’t go back in time and change the tracking process, we're able to use real analogue tape saturation and hardware transformers during the mixing stage. This rounds off the sharp digital "edges" and gives the music that nostalgic, thick character that people associate with classic indie records.
Do you offer mastering as well? Yes we handle mastering as well, if we are at capacity we work with other world class external mastering engineers
What do you need from me to start? The most important things are your consolidated stems (all starting at the same point), a rough mix of your song, and a couple of reference tracks that show us the "vibe" you are aiming for.
How do you price a project, and in which currency? We quote every project individually after hearing your rough mix, so there is no public price list. We quote in Danish kroner (DKK), euros (EUR) or US dollars (USD). Tell us the number of songs, whether you also need mastering, and your release date.
How do time zones work for attended remote sessions? We are in Denmark, and we arrange attended sessions around your time zone, wherever you are. You listen in real time from your own studio and give notes as we go.
How do I send you my files? We have several file-transfer options, so we will agree on the one that suits you when we start. Send consolidated stems (all starting at the same point), your rough mix and a couple of reference tracks.
Which formats do you deliver? We deliver finished mixes as stereo WAV files. Other formats and stems are also available, so just tell us what you need for your release.
Let’s talk about your sound.
Every project is different, and we prefer to start with a conversation rather than a price list. If you have a release date in mind or just want to see if our analogue hybrid setup is the right fit for your tracks, send us a message. We’re always happy to listen to a rough mix and talk through the possibilities.